While Gerwig never lets the feminine feel of it fade away, both genders will more than likely be thoroughly engaged to the given adaptation, and let go of all the squabblings of "chick flicks". It's remarkably the next-gen "Little Women", but still happens to be set in the 1860s.
Her creative mind, and a distinct knack for wit and ambition make this the film for the ages. After nabbing roles in both "Lady Bird", "Loving Vincent" and "Mary, Queen of Scotts", Ronan may have just become the "it" girl of the decade.ĭespite being a little overshadowed by how excellent the cast was, Gerwig is truly the mastermind behind this production. And that's how a film should go, believe it, or not. Yes, the cinematography, light-fingered direction, and screenplay will still not beat out the lead performance. The chemistry with co-star Timothèè Chalamet (who plays Laurie terrifically) or the heartfelt portrayal of being there for siblings still doesn't overcome Ronan's impeccable outing. Nevertheless, it’s still Ronan who steals the show. This is while Meg and Amy are in desire of truly loving somebody, and Jo is refusing to marry at all. She's all about marrying rich and living the rest of your life under a man. What maddens Aunt March (an enjoyable Meryl Streep) are the chosen paths the four sisters have embarked upon.
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It's truly a brilliant premise, simple, yet full of life. Jo is a writer and is hoping to get her many short stories published in newspapers, trying to inject her passion into a world that rejects females in nearly every respect.
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The former three have yet to marry, while the fourth seems to be too content with her free life to do so. There's Meg (Emma Watson restrained, but solid), Amy (a quirky, and loveable Florence Pugh), Beth (Eliza Scanlen) and the troublemaker Jo (Saorise Ronan in her next brilliant role). In the house, it's all women, with their father off fighting, and the mother, Marmee (a superb Laura Dern), staying to care for the girls. "Little Women," tells the tale of four sisters living together in the aftermath of the Civil War. If you've read the book, or seen any one of the four adaptations, you know the story by heart. Sure, it isn't the film of 2019, but it's without a doubt one of the most timely achievements of the 365 days. Gerwig's deft direction, Saorise Ronan's flawless lead performance, and a pitch-perfect mix of humor and drama make it one of the best films of the year. Right, when you identify the picture as the happy-go-lucky Christmas movie, it happens to stab you directly in the heart, and immediately, the cinema is mourning with the characters.
The reboot is not only as heartwarming as audiences have come to expect, but it also happens to be excruciatingly emotional. It's been a solid 25 years since the last well-received adaptation of Mary Louise Alcott's beloved book, but the streak shall go on no more! Director Greta Gerwig's take on "Little Women" is surprisingly excellent, flourishing with an exceptionally chosen cast, beautifully done cinematography, and wonderful set design.
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